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2004 - Bob Dylan Live 1964 - Concert at Philharmonic Hall

Bob Dylan Live 1964 - Concert at Philharmonic Hall
(The Bootleg Series, Vol. 6
)
(2004)

Bob Dylan Live 1964 - Concert at Philharmonic Hall (The Bootleg Series, Vol. 6) (2004)
  1. The Times They Are A-Changin'
  2. Spanish Harlem Incident
  3. Talkin' John Birch Paranoid Blues
  4. To Ramona
  5. Who Killed Davey Moore?
  6. Gates of Eden
  7. If You Gotta Go, Go Now (Or Else You Got to Stay All Night)
  8. It's Alright, Ma (I'm Only Bleeding)
  9. I Don't Believe You
  10. Mr. Tamborine Man
  11. A Hard Rain's A-Gonna Fall
  12. Talkin' World War III Blues
  13. Don't Think Twice, It's All Right
  14. The Lonesome Death of Hattie Carroll
  15. Mama, You Been on My Mind (with Joan Baez)
  16. Silver Dagger (with Joan Baez)
  17. With God on Our Side (with Joan Baez)
  18. It Ain't Me, Babe (with Joan Baez)
  19. All I Really Want to Do

Notes and Reviews



The musicians:


References:

Trivia:

Reviews:

From The Bob Dylan Encyclopedia by Michael Gray:

"Bootleg Series Vol. 6: Bob Dylan Live 1964 [2004] Forty years after it was recorded, here was
Dylan’s big-venue New York City concert at the Philharmonic Hall on Hallowe’en 1964, released
as a 2-CD set, with excellent scene-setting, historical-context-setting notes by SEAN WILENTZ (who
attended the concert at the age of 13). This is a brief early excerpt from his essay, which begins by
reminding us that Dylan was 23 years old at the time, and in intoxicatedly relaxed mood:
‘Many of the songs, although less than two years old, were so familiar that the crowd knew every
word. Others were brand new and baffling. Dylan played his heart out on these new compositions,
as he did on the older ones, but only after an introductory turn as the mischievous
tease. ‘‘This is called ‘A Sacrilegious Lullaby in D minor’,’’ he announced, before beginning the
second public performance ever of ‘‘Gates of Eden’’. He was the cynosure of hip, when hipness
still wore pressed slacks and light-brown suede boots . . . ‘Yet hipness was transforming right on stage.
Dylan had already moved on, well beyond the most knowing New Yorkers in the hall, and he
was singing about what he was finding. The show was in part a summation of past work and
in part a summons to an explosion for which none of us, not even he, was fully prepared . . . "

Best Song:
"It's Alright, Ma (I'm Only Bleeding)"
According to Alias

Favorite Lyric:
"Yes, to dance beneath the diamond sky with one hand waving free,
Silhouetted by the sea, circled by the circus sands..."
According to Alias


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